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A FRESH LOOK AT VEIL TECHNIQUE

A FRESH LOOK AT VEIL TECHNIQUE

Dancing with a veil has become an essential element of oriental dance, whether as a short and spectacular burst of colour and movement during the entrance of the dancer or as the main player in a double veil fantasy piece.

But maybe its time to look again at how we use the veil and why, in order to create a dance far removed from cliché, a dance that is really DANCE, not just one that relies on the 'wow moments' of veil tricks and effects.

In this series of blogs we will try to answer the question, Why dance with a veil at all? Is it to cover or to reveal, to fill space, create impact, add colour, lightness or drama? By focusing on techniques to achieve a more profound use of the veil we will also include a few exercises for you to expand on your creativity.

ALIA IM RAMPENLICHT!

ALIA IM RAMPENLICHT!

SPOTLIGHT ON ALIA!

Every style evokes different emotions in me, and different bodily awareness or focus. Something folkloric makes my heart open and my joy rise, I feel expansive and powerful dancing Raks Sharki, I melt and feel my core, my femaleness when dancing baladi. I don’t have a favourite style - rather a favourite way to work or choreograph which involves diving deep into the music, picking its rhythms, instruments, melodies apart from each other - playing with time, space, form to then bring everything back to hopefully one homogeneous whole. More than anything I love to combine elements from contemporary, jazz or ballet with oriental moves. Nothing stays the same, its always evolving and why not?